![]() With thanks to the Economic and Social Research Council Impact Acceleration Account, the ESRC Centre for Society and Mental Health at King’s College London, Bethlem Gallery and Mental Fight Club. ![]() Supported by Verity Buckley, Madison Wempe, Katie Lowis DEADHOUSE is a trilogy of immersive audio horror shorts, all for a single listener, lying down, with their eyes closed. Important note: Headphones are essential. Slow Radio from BBC Radio 3 is an antidote to. The BBC and Darkfield present an unnerving trilogy of immersive binaural experiences. Michelle Baharier, Stephanie Bates, Lavinia Black, Rashima Black, Rick Burgess, Cruella Dot, Daisy, James Downs, Dorothy Dunn, Cameron Durdy, Tania Gergel, Barrington Gordon, Nicky Heinen, Sarah Hill, Cassie Lovelock, Tiffany Pitts, Sonia Thompson, and members of the Mental Fight Club.Īccompanied by Matt Maguire, Sub principal viola, City of London Sinfonia. in binaural audio for an atmospheric 3D headphone experience. The result is an exhilarating series of short musical works moving from optimism tinged with uncertainty, to deep disquiet, that weave intimate personal experiences with the acoustic and electronic sounds and music that have evolved from these workshops, to capture vividly how mental illness resonates to those who are mentally unwell.Ī TellTale Industries production for BBC Radio 3 It featured a major new electroacoustic work for multichannel surround sound created by the German composer and artist, Florian Hecker. Through a series of music-making workshops, the team found new ways to express their experiences using musical instruments, voices, apps, and everyday extraneous sounds in an ambitious attempt to break through the language barriers of mental health. 3 saw a special live edition of BBC Radio 3’s Hear and Now broadcast from the corporation’s innovative Maida Vale Studio 3. Her specialism is sound design for radio drama. Radio 3’s Researcher in Residence, Professor Sally Marlow of King’s College London, asked composer and sound artist Gawain Hewitt to work with a group of people with lived experience of mental illness to co-compose new work to explore a whole spectrum of symptoms and changing feelings that words alone cannot do justice. Greater Cardiff Area 166 followers 164 connections Join to view profile BBC About Catherine has worked in radio sound for the BBC since 2001. It takes two forms - binaural and object-based. Sound can come from any place in a sphere. ![]() Sounds can come from all around you, including above and below, giving a greater. Spatial audio is a way of creating sound in 360 degrees around a listener. Yet those with mental illness often describe other sounds which are meaningful to them and their experience, reflecting monotony, lack of connectedness, repetition, silence, control, and lack of control. Binaural sound gives headphone listeners a realistic impression of 3D space. The production uses 3D binaural audio, so. What does mental illness sound like? Popular audio representations of mental illness are often discordant or otherworldly, designed to evoke strong emotions like fear or anxiety. Tom Clancys Splinter Cell: Firewall, the classic Ubisoft video game, is coming to Radio 4 as an eight-part drama. The meaningful sound of mental illness evoked by personal stories, and new musical works co-composed by Gawain Hewitt and a group with a lived experience of mental health conditions.
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